Sunday, June 19, 2022

A Taste for Honey, by H.F. Heard

Penzler Publishers, American Mystery Classics, 2019
originally published 1941
197  pp


Still following the séptimo circulo list, up next after Night Over Fitch's Pond comes H.F. Heard's A Taste for Honey (#25),  published in 1941 and reprinted in 2019 via Penzler Publishers' American Mystery Classics series.    The book was made into a 1966 film called The Deadly Bees, but more on that later.  

Last week my insomnia flared up again and I grabbed this book  hoping I'd read until drifting off.  The complete opposite happened -- once I started it I couldn't stop.  It wasn't because it's a great book, but more because what happens here was so far out of the range of most mystery/crime novels of the period and so completely unexpected that I knew there would be no sleep that night.    The story is related by Mr. Sydney Silchester, a reclusive  sort of fellow who had come to a small village in the countryside for peace and quiet. He lives under a self-made rule of "keeping myself to myself," wanting to be "left alone, at peace," preferring his own company to that of others.   Evidently something has happened to shatter his solitude and he feels the need to "set it all down" so that his record (narrated retrospectively), will let people know that he had very little blame in the matter, the whole thing having been "forced" upon him.  What follows is not exactly a mystery but a sort of bizarre story that borders on pulpy horror (not the supernatural type but more like a sort of mad-scientist adventure caper), and while there is some  detection involved here,  this is by no means a whodunit.   And it all begins with Silchester's fondness for honey, which he buys regularly from a certain Mr. Heregrove, the local village apiarist.   At one point Silchester discovers that he's running low on the stuff, and while considering his next visit to the Heregrove's farm, he learns from his house cleaner that Mrs. Heregrove had met an untimely end after being stung to death by her husband's bees.  Though the coroner's inquest arrives at a verdict of accidental death, Heregrove has been ordered to destroy his hives, which leaves Silchester without a supplier.  Not keen on asking around the village due to his "dread of business dealings" that might lead to "social entanglements," he finds himself in luck one day while out on a long walk, when he happens upon a sign advertising "a certain amount of honey" for sale.   Happy to find a new supplier,   he goes on to meet the man who posted it, a certain Mr. Mycroft, who, along with the honey, also provides him with an interesting theory.   As the back-cover blurb says, Mr. Mycroft "senses the bloody hand of murder,"  meaning that he believes that Mrs. Heregrove's death was not an accident at all.   That will be it for plot, I'm afraid, because there is no way that I'm going to ruin the show for potential readers.  

Despite some testing of my patience with Silchester and Mycroft because of their often lengthy expositions on various topics,  I had great fun with this novel.   I have to seriously offer a tip of my hat to the author on even coming up with this crazy plot, which had it not been for Mycroft's habit to  (and pardon the pun) drone on and on, might have made for better reading.  On the other hand, the nature of the villainy revealed here allows for the author to discourse about the limitations of the law which, in this case, leaves these two men no alternative but to handle things themselves.    As Mycroft notes,
"The law protects us from the sudden, unpremeditated violence of the untamed blackguard. It is helpless against the calculating malice of a man who patiently and deliberately studies to get around its limitations  When you have really faced up to the fact ... that the law, the magistrate and the village policeman are helpless to protect you, then you will be free to consider the unavoidability of step two of doing what we can do."
The situation comes down to a battle of the minds, with uncountable lives at stake if things go wrong.

 I should warn potential readers to leave the introduction for last as Otto Penzler reveals "one of the surprises in this book" in his assumption that "the secret has been revealed often enough that few readers will be astounded."  I suppose he never thought that perhaps there are still some readers like me who have neither read this book nor discussed it with anyone before, so that's certainly a big oopsie on his part.   And as to that secret, well, it's not hard to figure it out pretty much right away with all of the clues offered by the author. Trust me, that's the least concern in this novel.  Also, if you are one of those readers who must find something likeable or relatable about the characters, it's very likely you won't find it here.  All in all it was a fun read, not perfect by any means, but still very much worth the time.  

movie poster, from filmaffinity

As to that movie (an Amicus production) I mentioned earlier, the original screenplay was written by Robert Bloch,  but the director of the film, Freddie Francis, evidently didn't like it and along with Anthony Marriott, decided to change it.  That's a shame really, and according to the B&S About Movies blog, Bloch never saw the film but did say that Deadly Bees "buzzed off into critical oblivion, unwept, unhonoured and unstung."   It would probably appeal only to true-blue diehard connoisseurs of old horror films because it was pretty bad, with the plot centering around a pop singer who has gone to Heregrove's farm for a rest after fainting from exhaustion during a television performance.  The roles are actually flipped in this film, with Mr. Mycroft (still painfully expository) as the bad guy.    I couldn't actually lay hands on a copy to watch but I did find an MST3K (of which I've been a huge fan for eons) episode on youtube which didn't actually quite deaden the pain; even the sarcastic bot banter couldn't save the experience. 

MST3K version, my photo

I  also watched an episode of the Elgin Hour, "Sting of Death" (1955), which stars Boris Karloff and hews much closer to the novel than the later 1966 film.  This one is worth the watch, although  the scope is rather limited, I suppose,  due to the allotted television time. It also won the Edgar Award for best TV episode in a series in 1956.  


Boris Karloff as Mr. Mycroft

Bottom line: book fun, movie bad; book recommended just because it's so very different and strange, movie is definitely skippable unless you are a masochist.  

Friday, June 3, 2022

Night Over Fitch's Pond, by Cora Jarrett


Houghton Mifflin Company, Riverside Press, 1933
292 pp

"There's a moment in the history of any tie between human beings that settles for good the question of who's going to be top dog." 

Night Over Fitch's Pond is number 24 on the Borges/Bioy list of mystery novels, and it is my introduction to author Cora Jarrett (1877-1969).  As a brief aside, I did read number 23, ECR Lorac's Black Beadle (1939), but it was a long while ago, I didn't really care for it all that much, and I was well behind reading schedule so I didn't post about it.  Oh well.  Things are FINALLY settling here at home (after what, two-plus years?)  so I'll just be moving on.   

One particular thing I'm enjoying about going through the Borges/Bioy list of books is that  it affords me the opportunity to read novels I have never read before, and in this case, an author I'd not heard of before starting this project.   Cora Hardy was born in Norfolk, Virginia, and after studying at Bryn Mawr, The Sorbonne and Oxford,  she entered into what would become a lengthy teaching career and married Edmund Seton Jarrett in 1906.   According to a blurb about her book The Ginkgo Tree at Abebooks, she "began writing in her 50s,"  with Night Over Fitch's Pond  her first novel.  She would go on to write five more novels, a number of short stories and a play, and as Barrie Hayne notes in Reilly's Twentieth Century Mystery and Crime Writers , Jarrett's books are "deep probings into abnormal psychology" (Springer, 2015; 858), which is very likely one reason I liked Night Over Fitch's Pond as much as I did.  

The novel begins as our narrator, Walter Drake, sits by the body of Julius Nettleton in a cottage on Fitch's Pond, "a small solitary lake of great beauty."  Reflecting back on events that led to Julius' death, his mind replays what had happened over that particular summer, looking for any kind of clues as to what might have happened out on the lake that caused Julius to die.   

Julius and Mary Nettleton had first come to Fitch's Pond to visit their son George at a camp on the lake owned and run by a man named Maxon. They had discovered two abandoned cottages there, and Julius bought them both -- one for his family and one to be rented out.   Later, after the Nettletons had spent four summers on the lake, Julius had invited Walter to spend his summer at Fitch's Pond as a guest in their cabin.  Walter soon realizes that the Nettletons are no ordinary couple -- Julius, as he notes, wanted Mary to be  "a housemate only, a housekeeper, a serviceable kind of companion," while Mary had decided to "bear with humors of Julius."  Life at the Nettletons, both at home and at the lake, it seems, is built around what "Julius will want..." with Mary acceding to his wishes despite what she might want.  Walter, it seems, is also secretly in love with Mary but doesn't understand why she caves in so easily to what her husband wants.   

The real trouble begins when new tenants, Rolf and Eloise Deming,  move into the second cottage.  On first meeting Eloise, Drake comes to the conclusion (eventually proving correct) that Eloise would "go over the lot of us like a steam-roller," and secretly hopes that Julius would "get his proper come-uppance from this woman he had brought among us." He also realizes  that it would be Mary who "would pay," also a spot-on insight, especially when it hits him that Mary and Rolf had quietly fallen for each other and that Eloise knows.  Drake goes on to describe a  campaign of mental tortures inflicted on Mary by Eloise  taking readers to that "one fatal evening," which had "brought our whole precarious cardhouse of outward appearance at Fitch's Pond slithering and toppling down."   "Abnormal psychology" indeed -- there's a reason why Eloise is referred to as "an Iago in petticoats," but the one really deserving reader scrutiny here is Julius, as Drake spends that long night "laboring to plumb ... the bottomless dark" of his mind.  

While reading, my thoughts often came back to a  passage I'd marked earlier in the novel where Drake is told by a friend that 
There's a moment in the history of any tie between human beings that settles for good the question of who's going to be top dog," 
 and without giving anything away, all I will say is that there is much more than a kernel of truth in that statement, played out right up until the end.  To say much else would be criminal; in the long run, while Night Over Fitch's Pond  may not be a typical mystery story,  after the first few slow-ish chapters, I couldn't put it down.  The truth is that I enjoyed it so very much that I bought a copy of Jarrett's Pattern in Red and Black (1934; Coachwhip, 2017)  written under her alias Faraday Keene.  This character-driven story may not be for everyone, but there's just something about the deep delve into people's dark psyches  that appealed to me.  

Recommended, mainly to readers of older mysteries, as well as to people who, like myself, are always on the lookout for something different and who love finding the writings of authors whose works have pretty much faded away into obscurity.   

Tuesday, March 8, 2022

A Puzzle for Fools, by Patrick Quentin

American Mystery Classics, Penzler Publishers
originally published 1936
237 pp


"It had been a puzzle for fools..."

A Puzzle for Fools is #21 on the Borges/Bioy Séptimo Círculo list, and it's a good one.  It is also the mystery series opener for the nine books featuring Peter Duluth, Broadway producer, ranging datewise from 1936 to 1954.    

Peter Duluth has known his share of tragedy.  His wife Magdalene had died in a fire in the theater, and as a result his life started to hit the skids.  After "drinking to an eight-hour-a-day schedule" over the last couple of years,  and not "particularly reluctant" to drink himself to death, he decided that some time in a sanitarium might be a good idea.  Detoxing was pretty tough at first, but he made it through the worst and now, under the care of a trusted psychiatrist, he seems to be doing pretty well.  His "spells of depression" are less frequent and his physical self was also improving.  As this story begins though, he's not sure sure of himself -- it seems that in the dark of his room, he hears his own voice whispering to him he must get away, and that "There will be murder."  He knows he's not saying these things, and his fright overtakes him until he speaks to his psychiatrist, Dr. Lenz,  who lets him know that "this is not the first disturbing thing which has been reported recently," and that whatever he sees or hears "out of the ordinary, that thing is real and has its basis in fact."   The doctor also feels that there is a "subversive influence" at work in his sanitarium, causing him to worry about the patients and asks Peter for his help. While patients might not reveal things to him that upset them, they might say something to a "fellow inmate."   

It isn't long until he learns about the strange things that are happening among the other patients, including a few who, like Peter,  have also heard themselves talking when they know they weren't.   More talk of murder follows, and it isn't too long until talk gives way to action and someone is actually killed in a way that leaves no traces of violence.  It's a bizarre crime on the impossible side, and while Peter has been allowed to keep up with the police and their investigation in confidence,  he has some ideas of his own as to how to discover who among them is a killer.   However, before he can make any real progress, the strange occurrences continue to plague the patients, and then there's another death. 

After my less than great experience with A Puzzle for Players I was more than a bit  reluctant to once again wade into this series, but  I was surprised at how very much I enjoyed this one.  For one thing, the atmosphere is set at the beginning and doesn't let up over the course of the story.  There's just something compelling about the scene of the crime being inside of a sanitarium with its darkened corridors, locked doors and secrets; even better, this story really is a puzzle -- the author offers any number of clues to put together to get to the heart of this mystery, and his characters are so nicely drawn that at some point I realized that nearly every person in the sanitarium was a potential candidate for suspect, and that ultimately in this story, you can't really trust anyone.   

Don't miss the introduction by Otto Penzler; while I don't quite agree with Penzler's assessment of Puzzle for Fools as a "suspense thriller in the Alfred Hitchcock mode," it still makes for a good few hours of fun and unputdownable reading.    Recommended to those readers who enjoy these older mysteries.  The armchair detective in me was highly satisfied -- I never guessed the who and so I was completely taken by surprise when all was revealed.  I call that a win. 

Thursday, February 10, 2022

Back Country, by William Fuller


Stark House, 2022
originally published 1954
197 pp


Newly out this month, Back Country is yet another entry in Stark House's Black Gat series, "the new face of vintage mystery."  Originally published in 1954, this book is the first of six to feature Brad Dolan, described by Bill Pronzini in the introduction to this book as
"Hardbitten veteran of two wars, with a checkered past in which he ran guns from Tangiers to Saudi Arabia and smuggled aliens into the Louisiana marshes from Mexico. Former advertising exec embittered by the blatant infidelity of his ex-wife Dusty. Adventurer who resorts to violence and to skirting, bending or breaking the law when circumstances warrant. Wanderer whose primary ambitions are fishing and 'blue water, sunshine, and freedom..."

He also enjoys classical music and "can talk a little Nietzsche."

During his service in Korea,  Dolan's leg had been badly injured, and he'd been stuck in a ditch for seventy hours in minus-thirty conditions, after which he decided that he never wanted to be cold again.  Making up his mind that he'd either go to the Southwest or to Florida, a letter from a friend inviting him to Miami cinched the Florida move, so after a stint at Walter Reed hospital and a medical discharge, he was on his way.   After having left Highway 41 to make an inland crossing to the east coast, he made it to Carter County when his car threw a rod.  He made his way to a  town named Cartersville ("the Florida the tourists never see"), not  exactly his idea of the Florida paradise he'd been aiming for, but in need of a mechanic, he's pretty much stuck at least for a while.  It doesn't take long before he finds himself in trouble at a backwoods juke where he offers to buy a gorgeous blonde a drink, gets knocked out in a fight and wakes up in time to find himself taken to the county jail.  Turns out he chose the wrong blonde ... she's the wife of Mr. Rand Ringo, who pretty much owns the county, "lock, stock and barrel."  Ringo needs someone like Dolan to run his operations, someone with "know-how and intelligence and guts," and thinking he can cut himself in on some of the  action, Dolan decides to stick around for  a while.  He's given money and a place to live, and it seems that Mrs. Ringo has taken a liking to him and becomes a regular visitor (wink wink nudge nudge).   That's before he falls for Ringo's daughter, once again "getting jammed up with women," which seems is a weakness of his.  Not only is he caught between a rock and a hard place in that arena, but when Ringo tells Dolan just what he wants him to do, Dolan's not having any of it.  

original 1954 cover, from Amazon 

Subplots follow and tie in to the main storyline, and as promised in the introduction, there is definitely an "explosive climax."   Dolan's got guts and a brain, but above all he's definitely not someone who can be owned, making for a nailbiter of a showdown.  

 Just so it's clear, given that it's the 1950s and especially given that the story is set in central Florida,  racist comments run through this novel that are extremely difficult to read, but as Pronzini notes in the introduction, racism is endorsed neither by Fuller nor by his creation, Brad Dolan.   And speaking of central Florida, I live in south Florida and have been in the area of the fictional Cartersville many times  and his sense of place, even today, is spot on.  

Back Country sold out its first printing -- half a million copies within three months. I can see why -- it's a powerhouse of a novel,  especially for a first in series. This is serious pulp goodness that should not be missed.   There are no dull moments and I spent much of the time wondering how the hell Dolan was going to get himself out of the predicaments he finds himself falling into.  He's an awesome character and more importantly, Fuller was an awesome storyteller, enough so that now I have to find the other five books.  

My many and grateful thanks to Stark House for my copy of this novel.   Definitely recommended. 

Tuesday, February 1, 2022

The Embezzler, by James M. Cain


Avon Book Company, 1944
(Avon Murder Mystery Monthly No. 20)
originally serialized as "Money and the Woman" 1938
108 pp


Ask someone which books they've read by James M. Cain, and my guess is that the answers won't likely include this book, The Embezzler.  Actually, until I started reading my way through the séptimo circulo list, I didn't even know it existed, and I'm sure I'm not alone here.   

Set in the Los Angeles area, bank vice president Dave Bennett has been sent from the home office to a Glendale to check up on "not what was wrong" with the Anita Avenue branch, but rather "what was right with it."  The ratio of savings deposits to commercial was "over twice" that of any other branch, and he'd been tasked by his boss to find out "what the trick was" so that it might be something that could be used at the other branches.    When the novel begins, he's working as acting cashier.  The man responsible for such great numbers is the head teller, Charles Brent, but  Bennett likes neither his method nor the man himself, the latter for reasons he doesn't quite understand.    

Two weeks after Bennett arrives, he receives a phone call and a visit at his home from Charles' wife Sheila, who has a strange request.  Charles, it seems, needs an operation immediately to repair a duodenal ulcer, "verging on perforation," but he is worried that things will "go to ruin" at the bank if he's not there.  Would Bennett let her take his place at the bank?  She's definitely qualified, having worked at the bank in the past, and she knows "every detail" of her husband's work. As he considers his answer, it strikes him as a good idea, not only because of the "general shake-up" Brent's absence would cause, but also because he'd "liked this dame from the start."   So Sheila's in, and one day while she's out trying to bring in a loan, Dave takes over her window and discovers just that Brent's work success hides something else -- an $8500 discrepancy in the books.  Even worse, he discovers that Sheila knows all about it, but he's in love with her -- what to do?   Everything rests on Dave's decisions from this point on.  

By this point in the novel, I already had a feel for what was about to come, and for the most part, I was right.  What kept me reading wasn't so much the action here but my deep  mistrust of Sheila pretty much to the end so I had to see what happened on that front.  I mean, Cain had  already written Double Indemnity, albeit in serialized form (1935 -- it also appears along with The Embezzler in Three of a Kind in 1943)  so I couldn't help but wonder if Dave's judgment would be clouded by his instant infatuation with Sheila, or if she was going to turn out to be another Phyllis Nirdlinger taking Dave down the road to destruction.  No spoilers from me on that score. 

All in all a decent read, but I was more than a bit disappointed with the ending which one reader on goodreads described appropriately as a "major no no" for noir.   No spoilers from me, but jeez -- given all that had come before it just did not work.   Think "sappy" and you've pretty much got it.  

from IMDb

I would love to watch the film made from this novel in 1940, and I found a place that has transferred it to dvd, mine for only $25. Done, making me a happy person.    Unfortunately the shipping was like $45, making me an unhappy person,  so I guess I'll wait and hope to find a copy another time.   

If you're a fan of James M. Cain's books and want to read beyond the better-known novels, this would be a good place to start; in any case it's much better than his The Cocktail Waitress, which was just sleaze, and not good sleaze at that.  This one was just okay. 

Monday, January 17, 2022

My Annihilation, by Fuminori Nakamura


Soho Crime, 2021
originally published as Watashi no Shometsu, 2016
translated by Sam Bett
257 pp


My Annihilation is yet another book I'm reluctant to label as simply crime fiction -- there are layers upon layers to unfold during the reading, and as the author himself notes in an afterword, in this novel he is exploring 
"questions about what it means to be human, and what it means to exist in the world,"
as well as the question "what is a self?"  

It doesn't take too long to become completely immersed in this novel, which begins in "a cramped room in a rundown mountain lodge," where our narrator is considering the "various forms of identification" in his bag, all belonging to someone named Ryodai Kozuka.   In a corner of the room is a white suitcase which he did not bring there, and on the desk is a manuscript, which he believes just might be Kozuka's life story.  As he begins to read, he finds a warning:
"Turn this page, and you may give up your entire life," 

but the narrator reveals that he has "no intention" of giving up his "old life;" all he wants is Kozuka's identity.   Noting that while Kozuka may have left some "unfinished business" behind, he assures himself that "it was no business of mine."    It's at this point (and we're only on page four) that I realized that it may have been a smart thing to heed that warning, but on into the manuscript he goes.  

What he discovers within is unsettling, at best.  It begins with Kozuka's narrative about his childhood experiences, about which after only one-third of the way through, the narrator observes a similarity to his own story.  Reading on, he comes to a passage where Kozuka, looking back, notes that 
"... It doesn't even feel like this is me. It's all so blurry, like something shrouded in a distant fog.  But evidently somebody is going to take my place. Someone willing to take over for me, accepting all the horrors ... I'm going to be saved."  

This bit obviously disturbs the narrator, but only momentarily;  continuing on he comes to the story of  real-life serial killer  Tsutomu Miyazaki,  "one of the most infamous criminals in Japan."  And while the narrator asks himself "What was all that about?"  we know that there are certain things that link both Miyazaki and the author of the manuscript, which I won't mention to avoid spoilers.  Yet for our narrator, nothing seems more important at the time than opening that white suitcase, until he is interrupted by the ringing of a bell to his room.  That's when things, if not weird enough already, start to take the reader far, far down the rabbit hole.  

Without spoiling things for potential readers, what actually emerges here is a sinister plot for revenge,  and I must say it's one of the creepiest I've encountered, with the actual mystery behind it all taking a number of  surprising twists and turns before all is revealed.   Underlying this novel is the answer to the question of "what is a self,"  to which the author responds that  "Under a particular set of circumstances, it becomes impossible to tell."  Using various forms of textual material throughout the novel, the author runs with this idea, revealing just how easy it is "to get inside a person's head," an idea at the very heart of this story.  He raises questions of identity and memory, especially the ways in which they might be changed or in this case, even created. With that then comes the question of what happens to the original self that must somewhere continue to exist; this sort of philosophical/psychological underpinning  is why I noted my reluctance at the outset to define My Annihilation as just another crime novel. At the same time, it moves this book well and deeply into the literary zone, and as the back-cover blurb notes, "into the darkest corners of human consciousness."   In short, it's right up my alley.  

I love to try to solve mysteries as I read them, but My Annihilation is  one of those books where just when you think you have a handle on things, there's a shift and you realize you're completely off base.  As quickly as things change here, for me it became a matter of just giving up, going with the flow and letting things reveal themselves.   I'm not sure I'd recommend this one to all crime/mystery readers, but it's definitely for people who like their reading on the darker side.  

Monday, January 10, 2022

Act of Darkness, by Francis King


Valancourt Books, 2021
originally published 1983
305 pp


I'm actually on the fence about labeling this book as crime fiction, because really, there's so much more to it.  I mean,  there is a crime (quite a heinous one in fact), there is a bit of an investigation and a number of possible suspects who might have been responsible.  At the same time, it ventures well into the literary zone, as the author delves into and  unravels human souls, exposing people for who they really are, and it works on a metaphorical level as well.   The bottom line, however, is that it's quite good, very dark, highly atmospheric and well, anything but typical.  

Just very briefly and excruciatingly barebones so as not to spoil things for anyone who may want to read this novel, Act of Darkness is structured in five parts, and it is in the first of these, the appropriately-entitled "Omens,"  that we meet the Thompson family.   Set in India in the 1930s, they are at home  in the hill-station villa where they've gone to escape the hot summer weather of the plains.   Toby Thompson is the head of this family, although business and other matters interest him far more than his home life.  He is married to second wife Isabel, now pregnant, and they have a young six-year old son named Peter who can often be annoying and definitely curious.  Toby's daughter from his first marriage, Helen, a sort of cold young woman who feels out of place and somewhat resentful,  has recently returned from boarding school in England, and  also living in the home is Clare, Peter's governess, who likes things simple, unmessy and uncomplicated. These characters are introduced from his or her own perspective; by doing it this way King allows the reader to glean an understanding of the complexities and the tensions within their interactions with each other, and most importantly, careful readers will be able to pick out the "omens" of what's to come. 

The central "Act" of this novel is a horrific murder that happens in the middle of one night, but it's the aftereffects that are at the heart of this story.  As the author writes,
"A slow, expected death has a way of irresistibly sucking the members of a family together down its dark funnel. This death, as violent and unexpected as the explosion following the detonation of a bomb, had the opposite effect of blowing the members of the Thompson family in separate directions, however much they struggled to cling to each other." 

The murder also lays bare some of  the pent-up frustrations, jealousies and suspicions that have been simmering and chipped away at under the surface within this household.  The author absolutely excels here as he traces the effects of this crime on those left behind over the years that follow,  offering more than one or two surprising twists as he comes down to its solution.

I loved this book -- King has created an atmosphere seething with dark, sometimes violent  undercurrents running below the surface both within this family and also in India under British rule; that tension, once picked up on in the reading, just doesn't go away.  I will say that not too far after the murder, I had this sense that I already knew this story, and rifling through my brain it hit me where I'd previously experienced it.  I won't give away any hints as to what it reminded me of  (just in case), except that it was a particular and sensational crime that had occurred in England during the Victorian era.   Once it dawned on me, I was a bit upset,  thinking "well, I already know how this turns out," but as it happens, I wasn't at all prepared once the truth was revealed.  I can certainly and highly recommend this book, especially to readers who are more into the why behind  things rather than just the who.  It is a memorable story that I still see flashes of in my head  even though I finished reading it a few days ago; it's also a book that I absolutely could not put down.