Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Wednesday, September 14, 2016

I LOVE LOVE LOVE this book!!! His Bloody Project: Documents Relating to the Case of Roderick Macrae, by Graeme Macrae Burnet


9781910192146
Contraband, 2015
280 pp

paperback


There is no doubt that when I go back to look over what I've read this year (hence this reading journal),  this book will probably be at the top of my favorite books of all categories for 2016.   I loved this book. Hear me? I said LOVED. I don't often express my LOVE for a book in all caps, but this one just blew me away.  His Bloody Project was nominated for this year's Man Booker Prize, and made it through to the shortlist, so evidently the judges thought it was great too.  It was so good, in fact,  that although I'd decided to read the entire longlist this year, after finishing this one I knew I'd found my winner.  How the official  judging plays out may be a completely different story, but this would be my hands-down choice for sure, so no point in reading further down the list for me. 

The time is 1869, and a young (17) Roddy Macrae of the small remote village of Culduie, Scotland has just killed three members of one family.   His family and the other villagers are crofters, ekeing out a harsh, miserable existence, and are always at the mercy of their benefactor "the factor," and his representative in the village, the Constable. Roddy confesses right away, and there is absolutely no doubt whatsoever that he is guilty.  But the major question in this novel is "why?" and the story surrounding the murders  is revealed slowly via different sources in this book: Roddy's memoir, written "at the behest of  [his] advocate," witness statements, police statements, psychological assessments, and other voices that join in to tell the story.  However, there's a big catch: from page one on, it becomes very clear that truth and perception are in the eyes of the beholders, and that both may just be slippery and elusive.  

I'm really not going to say more than that little bit about the plot, because really, it's a book that should absolutely be experienced on one's own.  It's a stunningly superb novel, and aside from offering readers the challenge of  trying to piece together what may have actually happened and why,   the author has done an excellent job here in bringing us into life  in the small, rather claustrophic village of Culduie, mid 19-th century.   I'll just note that aside from the mystery of the why, the social, political, religious and class explorations in this novel elevate it to something well beyond anything else I've read this year.  

Reading this novel at a slower pace pays dividends, and it is definitely a book to be savored.  I cannot recommend it highly enough, and I will say that anyone thinking about it would be wise to avoid any reviews or reader posts that give away much more than what's on the back-cover blurb or what I've said here.   I'll also say that it is a story that demands active reader participation --  it's a thinking person's novel that really demands close attention, but also one that highly satisfies in the end.  Sheesh! It seriously just does not get better than this!!!!
  

Thursday, July 28, 2016

The Monster's Daughter, by Michelle Pretorius

9781612195384
Melville House, 2016
455 pp

hardcover/arc (read earlier this month)

To put this very bluntly, and without naming names,  I've been a bit disappointed with the so-called summer blockbusters that have come out this year from the big publishing houses.  I've been waiting for someone to get beyond same-old, same-old, and well, here it is. I can honestly say that The Monster's Daughter is an original.  It begins in a normal enough way for a crime novel, with the discovery of a dead body, but trust me, there is nothing at all normal about this book. And that's a good thing.

 There are three different things going on here: first, one of the two main narrative threads has its roots in science/speculative fiction; second, the other thread follows a police investigation into murder, and third, when the two come together, the book serves as a vehicle for exploring a century of South Africa's troubled past and its repercussions in the present.  It's this third aspect, I think, that made this book so incredibly interesting to me -- what a great way to take on such a difficult topic.  So what you get in The Monster's Daughter is a sort of hybrid mix of sci-fi, crime and history, and if that's not original, I don't know what is.

As I said earlier, the novel begins with the discovery of a dead body in the small South African town of Unie. It's December, 2010, and the victim has been burned beyond recognition, so it's going to be a tough job just trying to figure out who the victim is. Plus, the method of death is one that the detectives haven't seen in this area, so it's definitely unusual and seems to be some sort of smokescreen, creating a puzzle for the detectives to solve.  As we're meeting the main characters from the present, the story then goes back in time to 1901, when the British were trying to get rid of the remaining Boers and were sending families to concentration camps. At one of these camps some bizarre experiments are taking place  (and here's where the sci-fi edge comes in); eventually all of this comes to an end, but a bit too late and at a terrible cost. This movement from present to past continues throughout the book until, of course, the two storylines merge.

As the crime story moves forward, Alet Berg, who is working on the crime, begins to uncover some pretty disturbing things that may not only jeopardize  her already faltering career, but may also have some bearing on her personal life.  She also discovers that the death of this victim may be one more in a long-running series of murders where the killer has never been caught.  As time moves forward from 1901, we get a serious look at South Africa's violent apartheid history through the story of Tessa, who finds herself constantly having to change identities and homes to ensure her own survival.

So -- I have to admit that when I first came across the parts about the experiments at the concentration camp, I did a major eyeroll since this is so normally not my thing,  but as things turned out, I just decided to suspend any disbelief, relax, and roll with it and The Monster's Daughter turned out to be pretty darned good.  I will say that it tends to get a bit boggy because there are so many things going on here -- for example, the author throws in some conspiratorial subplots that while important and germane to both present, past, and the novel's title,  received (imo) way too much attention and time when all I really wanted to do was to get back to Tessa, South African history,  and to the murder investigation. Then again, I'm not a big conspiracy fiction person, so that may just be a matter of personal taste. However, as I am so fond of saying, less is more, and this one could have been pared down some without any damage. Other than that, though, as I said, this book is definitely original, and would be well suited for historical fiction and crime readers who don't mind suspending disbelief (and let's get real here -- we do that in most cases anyway),  and I'd also say for readers who are interested in the human costs of racism.  Given the direction of today's politics, it might very well be worth taking a look at the past as so well presented in this novel.

****
I really need to thank TLC book tours and to Melville House (one of my favorite publishers!!) for my copy of this novel.  I'm just one of several readers of this book, so clicking on the link will take you to their thoughts as well.