The Fire Dance, by Helene Tursten

9781616950101
Soho Crime, 2014 (January)
336 pp

arc -- tons of gratitude to Paul at Soho Crime for my copy.

I know I should probably wait until January to post my discussion about this book, but it's close enough now, and just maybe someone might be thinking of pre-ordering this book for a Christmas gift.  What the hey, right? I feel so lucky having received an advanced copy of this book! When the word came down that Soho was publishing this book, I was happy; when I got an email for the review copy, I was ecstatic.  Helene Tursten has long been one of my favorite Scandinavian crime writers, and Irene Huss one of my favorite Nordic police detectives.   To be honest, I've given up on a lot of Scandinavian crime writers but she's one of the few authors whose books I pick up as soon as they hit the shelves. 

The Fire Dance splits time periods -- the first, from 1989-1990, when Irene has been with the department only a month.  Her girls are very young, and  husband Krister is grateful for his 30-hour/wk part-time job. A difficult case found its way into her lap when after three months, a young girl named Sophie Malmborg, possible witness to a fire at her home that killed a man, has been unwilling to speak for three months. Despite the best efforts of professionals, Sophie will not talk.  Irene's boss, Sven Andersson, figures that since Irene is a woman with small children, she might have much more luck getting Sophie to say something.  She gets plenty from all of the other people in Sophie's life, but Sophie still isn't talking.  With no further clues, and with other cases coming up, the case goes cold, and life moves on.  Flash forward to 2004 -- fifteen years after the house fire, Sophie is dead, after having disappeared for three weeks.  Irene now has only very meager clues, but several suspects, and as was the case fifteen years earlier she's needed on another big case and time is growing short.    In the meantime, things are happening on the home front that will require her attention.

Helene Tursten is always able to provide her armchair-detective readers with a solid mystery to ponder, and that is certainly the case in The Fire Dance.  Irene must rely on the fifteen-year old unsolved case to make any headway in the present, and the way Tursten sets up this up case gives it kind of an eerie turn. She also does a fine job in conveying Irene's devotion both to the job and her family, and does so a way that never seems forced.  I could do with less of the dog (I think I say that about every Irene Huss novel) and the emphasis on the food choices made by the vegan daughter, but otherwise, I appreciate this aspect of Tursten's series.  While I didn't find it as edgy or as solid as her book The Torso, my favorite of the series, The Fire Dance still very much pleased my picky crime-fiction reader self.  All I would say in the negative zone is that I would have loved to have seen less cute and more edge. But that's a personal thing.

Regular followers of this series will not be disappointed; probably not a good read for hardboiled, noir or cozy  crime readers; more for those who enjoy solid police procedurals with a personal twist.  As my list of favorite Scandinavian crime writers is dwindling, I'm am so happy to have found this series, and I'm even happier that Soho continues to publish them for American readers. 

totally flummoxed!

Seriously, folks, today I got an email from goodreads telling me that the winning book of this year's best mystery and thriller category is none other than (drumroll please) Dan Brown's Inferno.  The votes were cast  by readers, and Inferno received 29,132 votes.  Now, contrast that with Jo Nesbø's Police, which got 6, 821 votes.  Frankly, I had a lot of trouble believing this news, considering that a) Police was probably Nesbø's best book so far and b) that (imho) Inferno was DaVinci Code all over again with a change of venue and cast.

I'm seriously not getting how this happened -- not just in the case of Police, but every other exquisite crime novel that's been published in 2013.  Claudia Piniero's A Crack in the Wall, for example, should have at least been nominated, and the same goes for a host of other truly wonderful crime/mystery books -- 21:37 by Mariusz Czubaj -- which was listed as European literature therefore not considered a crime fiction novel; Arnaldur Indridason's newest wasn't on the voting list; where the hell was Andrea Camilleri; Benjamin Black? I think not; Tim Hallinan's wonderful Fame Thief wasn't there; I could go on, but my point is made.  

I don't consider myself in any way shape or form a book snob or "highbrow" reader (I mean, seriously...I read Inferno when it came out)  but jeez! There has to be a point at which people recognize the excellent work being done by not only excellent home-grown crime writers but the international ones as well.  Is there some reason that people don't choose to expand their reading horizons or climb out of their reading ruts? I mean, to each his own for sure, but frankly, this year's choice was just a little more than not right.

okay. that's all. I have ranted and now I am finished. 

another indie: Border Field Blues, by Corey Lynn Fayman

9781477600023
Create Space, 2012
316 pp

paperback
my copy from the author - -thanks!

First -- epic-proportion sized apologies to the author & to his publicist for taking nearly a month to get this done,  but sadly, I haven't had a whole lot of time because we remodeled our upstairs & I swear, it was just like moving in from scratch.  But now we're all put together in time for the holidays, and it's back to reading business as usual. Finally! Word to the wise: if you're going to completely redo your home, think twice.

First, let me say this: I have no idea why this book hasn't been picked up by a regular  publisher -- it's certainly good enough.  This author can put together a good mystery that keeps you intrigued to the last page.  The novel has a good noir tone to it, along with some funny moments, quirky characters and a twisty story. Border Field Blues is the second book in a series starting with Black's Beach Shuffle, which I thought I would read before this one but didn't get to. But I'll definitely pick up a copy now, and my understanding is that there is a third novel in the works.

Rolly Waters, guitarist, former band member, and now PI living in San Diego (my favorite city in CA),  has been asked by his friend Max to look into who might be behind an act of destruction that left a Least Tern preserve near the border  in shambles. Rolly is just a good guy whose circumstances haven't always been so great -- not a hardboiled kind of PI at all.  As a cast of strange characters starts to become interested in what he's doing, he soon realizes that he's probably in way over his head as the case leads to not one, but possibly several murders.  A CD left behind at the scene is one of the few clues he has, leading him to a bizarre woman who encourages voyeurs, a young guy who drives a hearse and has a skeleton pin pierced through his septum, a crazy guy in scrubs who has a thing about scalpels and some overly gung-ho members of the AFA, a sort of vigilante group that patrols the border with paint guns.   The further he goes, the more he is warned off -- but he owes it to Max to find out what happened at the bird preserve so for him, quitting is not an option.  Border Field Blues starts in the past, and it is to the past that Rolly will have to turn to figure out exactly what's going on here.

Aside from the few distracting typos, the only niggle I have is that sometimes the characters, although meant to be quirky, come off as a little too larger than life.  The border guy, Nuge, for example, sounds like he was pulled right out of a movie.  Otherwise, I really liked this one -- very unpredictable and twisty, number one; number two, the main character is very credible and realistic -- the hapless good guy who is just doing his job and gets sucked into something well beyond what he's been hired to do, and number three -- the setting is done so well --  I used to hike there, up past Monument Mesa, and the author's description of the whole area is spot on.  If you forget the typos, this book is also much more polished in tone than the work of a lot of  indie crime authors I've read, which made me wonder after finishing it why he hasn't been picked up by a more mainstream publisher. It's also funny at times, enough to break the tension here and there.

I want to address a point made by some other reviewers about this book re the video game.  Some people have said it was murky, or left unexplained -- but I don't think these people read the story closely enough to get why the author included it.  It fits, and fits well considering the character involved. I didn't find any loose ends in this book.

At the end of the day, the book 1) kept me reading to get to the root of what was going on, 2) had a good and twisty mystery with a satisfying conclusion, and 3) had a more polished  tone than many crime novels I've read that have come from the big-name publishers.   Cozy readers -- probably not for you. Hardboiled or really dark noir fans -- probably a bit on the lighter side of what you normally read.  For me it had enough edginess, grit and crime to make it intriguing, mixed with odd characters that certainly kept things very lively.

again...my apologies for taking forever!

giveaways to US readers

For American readers, I have two books to give away. I accidentally forgot to decline my featured selection at the Mystery Guild book club, so these are book-club sized novels that I'm probably not going to read.  They're not abridged, but just smaller in size.

#1 : Linda Fairstein's Death Angel, published earlier this year -- hardcover, never read.

#2 James Lee Burke's Light of the World, also published earlier this year ... again, a hardcover in its jacket, never read.

Seriously, all you have to do is to be the first to leave a comment that you want one or both of these, and they're yours. I will even pay postage!

The Reckless Engineer, by Jac Wright

 1619353210

Soul Mate Publishing, 2013

334 pp

e-copy, provided by the author

On the scale of rare to hardly ever, once in a while  I'll say yes to a previously-unknown (to me) author asking if I might read his or her work and  post a review here, largely because I'm interested in seeing what he or she is offering that may be potentially new to the crime-fiction world.  I'm not a writer, but I think I can understand how difficult it is for people who are and who are not in what I'd call "the big leagues" of crime-fiction writing to get their names out there. The Reckless Engineer is by Jac Wright, an author whose work I've never read before, and I was tempted to say yes  because he's a UK writer.  The book is a murder mystery that takes place in Portsmouth, offering a wide range of suspects in the death of a bitchy and witchy engineer's mistress.  The main suspect is her lover Jack, who may be a total jerk who doesn't seem the type to have a propensity for murder in his blood.  There is a lot of action in this novel as his friend Jeremy tries to prove that Jack didn't do it, there's a fair amount of subterfuge and untrustworthy characters, and well, as one reviewer put it, it has "everything-but-the-kitchen-sink." 

When Jack Connor's current lover is killed (and I say current because Jack has a habit of sleeping around despite the fact that he's married), all signs point to Jack as her murderer.  He has a lot to lose besides his reputation: he's married to Caitlin, the daughter of a rich and powerful industrialist whose money makes it possible for Jack to live a good life.  Jack immediately calls best friend Jeremy, who gets his attorney Harry to take Jack's case.  As the legal process swings into high gear, Jeremy overhears a phone conversation between Caitlin and an unknown person named K.C., and starts to wonder if it's possible that Caitlin may have had something to do with Michelle's death.  After all, both she and her father knew about Jack's little bit on the side, and Caitlin is a perfect suspect.  The conversation sparks Jeremy to do an investigation on his own while Jack's fate hangs in the balance, but soon he realizes that there were a lot more  people who may have wanted to get rid of the dead woman. He certainly has his work cut out for him. 

It's a plot directly up my alley, and the choice of murder weapon (a box of poisoned chocolates) is intriguing, since really, anyone could have left it for the dead woman at any time, opening up the possibilities of more than a single suspect. This approach is always a plus in my mind, probably hearkening back to my love affair with Agatha Christie and the way she set up her novels so that you have to wait until the end to find out the who.   The action starts quickly, getting the reader involved at the outset as the author doesn't wait long at all to start planting seeds of doubt about Jack's involvement.  At the same time, I had a number of issues with this novel that made it a sloggy go in some parts.  First is the author's use of language. As a single example, there are a number of times that he uses the word "shall" in dialogue between characters that comes across as stilted and unrealistic in context.  Second, there's so much exposition in this story that could have been better applied, woven into normal conversation so that the background info comes out more naturally. But my biggest objection is as follows: while I won't reveal the ending, I thought that Mr. Wright made a very crucial error here, waiting until the last few chapters to provide background and detail on the murderer.  I mean, the information about the killer should have been established more evenly throughout the book rather than piling it all on at the end, because then, duh, you know who the killer is before you get to the big reveal.  I was so disappointed! To his credit, the author does keep you guessing up until that point, but I've never ever seen this kind of thing done before, and I've been reading crime fiction since before I was a teen.  He might as well have put up a neon arrow pointing to the killer at that point. 

 The plot's introduction was quite well done (other than the use of the word "shall" so many times), the middle was very tough going due to the introduction of so many new characters and plot points, and then it picks up again toward the end.  But once I got back into the groove of the read after the sloggy center and wanted to know the identity of the killer, with the above-mentioned error, things were kind of wrecked for me, although  I will say that the actual "how" the murder was done was pretty ingenious. Finally, in my opinion, and really, I don't suppose that means much to anyone but myself, if someone is going to write crime fiction, it needs to be very tight in terms of plot, and especially in how the author controls the scene, the characters, and the denouement.  I didn't find that here -- there were always some new angles thrown in, which is okay, but there should be some sort of subtle clue at the beginning as to where the author is going to take his readers.  There is just way too much going on here to make the novel really pop, which is a shame, since the story itself has a lot of potential. 

Personally speaking,  I'd certainly give this author another try, especially if he takes tighter control over his work in the future.  The book could have frankly benefited from more judicious editing, but he can weave a good yarn that is interesting enough at its core to keep you reading.  Then again, I'm super picky when it comes to crime, since I've spent so much of my reading life glued to murder mysteries, and I consider myself a tough audience. 

My many thanks to the author for the opportunity to read his work. 

Police, by Jo Nesbø

9780307960498
Knopf, 2013
436 pp
originally published as Politi, 2013
translated by Don Bartlett

hardcover

Police is #10 in Nesbø's wonderful Harry Hole series, and by golly, it's a winner. I have read all but The Bat and Cockroaches from this series, but I don't know whether or not my guts have ever been so twisted  while reading any Nesbø novel prior to this one.  The suspense tempted me so many times to turn to the end, but to my credit, I didn't cheat.

From the very outset, the author delights in playing with your head.  In a guarded hospital room, a man is laying in a coma.  While he's hovering between life and death, someone is luring members of the Oslo police force to their deaths.  The victims seem to be connected to old, unsolved cases, and they die in extremely terrible ways on or near the anniversaries of the crimes.  Harry's old friends on the Oslo police force are stymied ... there is very little in the way of clues or forensics left behind, and the police are under a great deal of pressure to do something about these murders before any more policemen get killed. They're also under pressure from Harry's nemesis Mikael Bellman, the current police chief, to get the cases solved because he has ambitions, and taking credit for solving these murders will help him move up the political ladder.  The team goes behind Bellman's back to try to stop the killer from striking again, but things get really ugly when when a particularly brutal murder hits very close to home.

Around this central plot, which ultimately focuses on the search for justice, there's much more going on.  A particularly nasty suspect gives the police a run for its money; police burner Truls Berntsen and his crony Mikael Bellman are up to their old dirty tricks once more and through it all, things get really twisty as the book comes to a startling conclusion.  I swear -- for once it was me, rather than the characters, who became angst ridden over how this was all going to play out -- my insides were churning waiting to see a) who the killer was and why he/she did what he/she did and b) how much nastier Bellman and Berntsen could possibly get while continuing to manipulate things behind the scenes.  And through it all, you will be kept wondering and guessing.

I don't care what anyone says, I LOVED this book! I know I say this a lot about Nesbø's books,  but this just might be my favorite of the entire series. It is  twisty and turny, frightening and unrelenting in the tension it managed to produce in my insides, and it is truly Nesbø at his writing best.  If you're new to the most excellent work of Jo Nesbø  you may wish to start at the very beginning and make your way forward through the series, as each book builds on what comes before;  if you don't want to take that much time, at least read the novel prior to this one, Phantom.  Highly, highly recommended!

Erlendur returns! Strange Shores, by Arnaldur Indridason

9781846557118
Harvill Secker, 2013
originally published as Furðustrandir, 2010
translated by Victoria Cribb

296 pp

hardcover

"...part of him would forever belong to this place, a witness to the helplessness of the individual when confronted by the pitiless forces of nature."


Each time a new novel by Arnaldur Indridason is published, I refuse to wait until it's been published in the US and so I go straight to Amazon UK to get my copy. Expensive? Yes. Do I care? No.  Arnaldur Indridason is among the few Scandinavian crime fiction writers I still read since a lot (not all) of what's been coming out lately in that area seems to be a mix of crime, romance and badass chick-lit; he's also up there on my list of favorite all-time crime writers as well.  I've been following the series since it started, well, at least since book three, Jar City, which was the first of the Erlendur series novels to be translated into English.  There are two before Jar City, and according to stopyourekillingme.com, there are two more to come after Strange Shores: one, The Match, listed as a prequel, set in 1972, the other with the title Reykjavik Nights.  Strange Shores is easily one of Indridason's best books in the series, and at the same time, perhaps one of the saddest of them all.

If you've followed the entire Erlendur saga, the last time anyone in Reykjavik saw him was during the events of Hypothermia, a case that had stirred up Erlendur's memories of his brother's death in the mountains of Eskifjördur, near to where they'd grown up.  The end of that novel reveals that Erlendur had returned to the "derelict farm that had once been his home;" as Strange Shores begins, he's still there, camped out comfortably in the old croft at Bakkasel.  It's a place he's returned to now and then, "when he felt the urge."  It's a place where he can relive his memories about the day he lost his brother and the reason for the guilt he's carried with him ever since.  As the novel opens, Erlendur is out  walking one day and  runs into a farmer who's an expert on foxes. While they're talking, the farmer tells Erlendur that he had been part of the search party who'd gone to search for Erlandur's brother,  who had gone missing in a blizzard after becoming separated from Erlendur.   He also happens to mention that during the war, a group of sixty British soldiers had also become caught in a storm on the moors, an event that people still remember. What people don't seem to talk about any longer, however, is the disappearance in the same storm of Matthildur, a young woman who had supposedly gone off on foot across the moors to visit her mother in a neighboring town, and caught in the storm,  was never seen nor heard from again.  Talking to her sister  Hrund, Erlendur notes that he has a personal interest in "stories about ordeals in the wilderness,"  and wants to know more about what had happened. As he gets wrapped up in  Matthildur's story,  as his curiosity morphs into a private investigation, and as he continues on his quest, he begins to realize that perhaps there are some people who would rather that he stop dredging up the past. Even as he questions his decisions to move forward, wondering why he should "rake up what was better left undisturbed," he knows he's not going to stop:

  "his sole intention was to uncover the truth in every case, to track down what was lost and forgotten."

As in many of Indridason's Erlendur novels,  Strange Shores dwells largely on the past, and in this book, the Inspector's quest to "track down what was lost" leads him not only to uncover information about Matthildur, but about his brother and himself in the process.  And while regular fans may not like the ending of this novel at all, imho,  it is quite fitting in terms of Erlendur's character -- and offers a sense of completeness to what he's been looking for throughout most of his life.  

Even considering the feelings I have about the ending of this book, it is truly one of Indridason's best, a book no crime fiction reader following this series should miss.  It is the most poignant of the entire series, the most beautifully written, and trust me, one you will not soon forget. Regular readers of Indridason's series know that Erlendur has always been more comfortable with tradition, and that as things have changed around him he's been less than willing to embrace the new and frankly, in some cases, really doesn't understand it. Here, he's in his element, as he is enveloped by the past. At the same time,  Indridason continues his critique of social and other changes, this time regarding the advent of new industry, the building of a new and controversial hydroelectric dam, and work going to lower-paid immigrants, giving voice to his concerns through Erlendur:

"He couldn't understand how on earth an unaccountable multinational, based far away in America, had been permitted to put its heavy industrial stamp on a tranquil ford and tract of untouched wilderness here in the remote east of Iceland."

Do not, under any circumstances, let this be your introduction to Erlendur.  Start with Jar City, and make your way through the series slowly, savoring every second. This isn't a series even remotely close to thriller-ville like a lot of crime writing, nor is it filled with fast-paced action or badass women.  If that's what you want in your Scandinavian crime, go for it, but you won't get that here.  This series is highly intelligent, sophisticated, and is one to be savored.

crime fiction from Iceland