Death in Breslau, by Marek Krajewski

9781847245182
MacLehose Press/Quercus
2008
original Polish Title: Śmierć w Breslau, 2006
translated by Danusia Stok
247 pages

First in a series of four novels,  Death in Breslau might just possibly be my favorite crime fiction novel so far this year. I hadn't even finished this book and bought the next two,  The End of the World in Breslau and The Phantoms of Breslau. If the cover doesn't grab you, the story will.

The story begins in 1950 in a Dresden psychiatric hospital, where the director is being pressed by a Stasi  official who wants to question the patient named Herbert Anwaldt. Herbert Anwaldt's identity and the reason he is a patient are questions the author answers as the book moves back and forward in time, beginning in 1933 in Breslau (now Wrocław).  The main character of this novel (and the four that follow) is Counsellor Eberhard Mock, who in 1933 was the Deputy Head of the Criminal Department of the Police Praesidium. That year, Hermann Göring had taken over the posts of Minister of Internal Affairs and Chief of the Prussian police.  The Nazis had become very active in the Police Praesidium, and an entire wing of the building had been taken over by the Gestapo.  

Mock is summoned to a side track of the main railway station, where he finds the bodies of Marietta von der Malten and her governess in a saloon car, savagely raped and murdered.  Clues left behind include some dead scorpions, some live ones, and some cryptic writing in blood on the wall of the train car.  Mock knows the dead girl and  her father, the Baron, a fellow Mason and someone to whom he owes a great deal. His investigation leads him to Friedländer, a Jewish importer specializing in strange "vermin," which makes the Nazi anti-Jewish propagandists very happy.  It also solves some of Mock's political problems, and the arrest leads to Mock's promotion as Criminal Director.  But it's not the end of the story -- after Friedländer "commits suicide", the Baron receives a package containing some clothing that had belonged to his daughter and realizes that the real killer is still out there somewhere.  Herbert Anwaldt, an alcoholic policeman from Berlin, is summoned to work with Mock to secretly discover the identity of the real murderer. 

This book is as dark as dark gets. Spies are everywhere, Mock has enemies that would like to bring him down, the Gestapo is a force to be reckoned with. The sinister atmosphere does not let up for a moment. The characters are well developed, especially Mock, who although married, spends his Friday evenings at a brothel playing chess with two lovely women (one under the table, one at the table) who know that "every successful move was assigned a specific erotic configuration." He is quite adept at playing the game with the Nazis, and becomes a master of the art of self protection, both physically and politically. There are many other characters who indulge in hedonistic delights, and there are the Nazis, and nearly everyone seems to have secrets that they'll do anything to keep hidden. And if ever a book captured a place and a time, it's this one. 


Death in Breslau is stunning, a novel you won't forget any time soon after reading.  While it's great fun, it's also claustrophobic sometimes as you sink deeper and deeper into the world of the dark and sybaritic side of Breslau and its inhabitants. It's also an excellent look at the politics and changing Europe of the 1930s.  I absolutely loved this book and very highly recommend it to readers who want something truly edgy and way off the beaten path in their crime fiction. 

fiction from Poland

The Franchise Affair, by Josephine Tey

0684842564
Scribner Paperback Fiction/Simon and Schuster
1998
300 pp
originally published 1949

Although this is listed as the third book in Tey's Alan Grant series, here he plays more of a background role rather than the main character.  That honor goes to
Robert Blair, a typical small-town English solicitor in the quiet village of Milford. His old and established legal firm, Blair, Hayward and Bennet, handles matters of "wills, conveyancing and investments." But with one desperate telephone call, Blair is thrust into a most bizarre case which takes him to a house called The Franchise.

Upon his arrival, he is met by Marion Sharpe and her mother, the owners of the house, along with Inspector Grant of Scotland Yard.  Grant is there investigating the story of Betty Kane, a demure young schoolgirl who claims that she had been kidnapped by the Sharpes one day after missing a bus and held prisoner in an attic room, where she was beaten when she refused to perform household duties.  According to Kane, Mrs. Sharpe left the door unlocked one night, and Betty was able to make her escape.  She was able to describe the inside of the house to a tee, down to the different types of suitcases in a closet, as well as the distinctive features of their car.  But the problem is that both Marion and her mother swear that they've never set eyes on the girl, and they're absolutely baffled as to her knowledge of the house. Blair is positive that the women are innocent, and despite some misgivings, agrees to help, despite the insurmountable odds against success.   And so it begins.

Tey's characters are believable, the plot is engrossing, but what makes this novel work well is how she successfully plunges her readers immediately not only into the crime, but into the mounting tension surrounding the case up until the end. And although The Franchise Affair is set in the countryside, it is a sophisticated story, not just another English country house-based mystery.

Although written in 1949, Franchise Affair is still a very good read, with some clearly recognizable elements (such as the power of the tabloids to fuel the fires of those who read them), and a completely different storyline than most of her earlier novels and of the novels of that period. Tey based this novel on a true crime of the 18th century focusing on another young girl, Elizabeth Canning.  If you're at all interested, there are two fictional accounts of this 18th-century story that I'm aware of:  Elizabeth is Missing, by Lillian de la Torre and The Canning Wonder, by Arthur Machen.

 For aficionados of classic mysteries, The Franchise Affair is definitely recommended. The end is a little sappy, but you won't care because the case is so satisfying.

fiction from England

August Heat, by Andrea Camilleri

9780143114055
Penguin, 2009
Original Italian title: La vampa del agosto, 2006
translated by Stephen Sartarelli
278 pp.

I had not intended to skip from Camilleri's Shape of Water  (#1 in the Montalbano series) all the way to this one (#10), but the fact that August Heat is one of the  CWA International Dagger finalists inspired me to leave 2-9 for later. As it turns out, I didn't need to have read books 2-9 to be able to enjoy this one.

Without going too much into plot so as not to wreck the book, this particular summer is extremely hot in Sicily, and Inspector Salvo Montalbano is having a great deal of difficulty dealing with the heat.  At the request of his girlfriend Livia, Montalbano has rented a seaside home for her friends Laura, Guido & their 3 year-old son. After they move in for the season, strange things begin to happen, culminating in the disappearance of the little boy.  The search for the boy (whom he finds)  also yields the discovery of the dead body of a teenage girl in an old trunk. Since the family and Livia are finally in a great mood again, ready to start their vacation in earnest, he hides the discovery of the body until the next day. When he finally breaks it to them, they take off, and Livia goes with them, extremely angry at Salvo, refusing to talk to him whenever he phones.  Be that as it may, Montalbano still has to figure out who the girl is and who killed her -- and his investigation ends up not only being about this dead girl, but also spreads out  to include the death of a construction worker, while at the same time eventually sending the inspector down a very treacherous path that he should definitely be avoiding.

Although there are plenty of opportunities for laughs in this novel, the story gradually shifts to something much more serious. At first the mood is lighthearted -- the family's troubles with the house, the banter between Salvo and his fellow policemen, the accepted local politics and patronization,  the beauty of the seaside and of course, the delightful food scattered throughout. And Camilleri even finds a minute to make a sideways comment to readers who

 did not deign to read mystery novels, because in their opinion, they were only entertaining puzzles

while Montalbano is reading a book by Maj Sjöwall and Per Wahlöö, who, he notes, fill their pages with attacks on social democracy and government (113).

But the easygoing mood that Camilleri sets up at the start eventually fades into a more somber tone as the heat, Livia's absence and the frustrations brought out by the case all begin to take their toll on Montalbano. 

August Heat is very well written, with a much fuller style than is present in Shape of Water, which tells me that I have something great to look forward to in books 2-9.  The setting is excellent -- so well done that you can almost feel the heat coming through the pages and the feeling of relief each time Salvo dives into the sea to cool off.  While the plot is a good one, my only niggling issue with this novel is that once events started rolling toward the end, they picked up speed at an incredibly fast pace, leaving me scratching my head as to why the author was in such a rush to finish so quickly. But -- it's definitely worth your time to sit down and read this book.

fiction from Italy

Third Girl, by Agatha Christie

0002318075

HarperCollins, 2002

originally published 1966

Hercule Poirot is now in his 35th adventure; after this one, he has only three more contemporary appearances -- in Hallow'een Party, Elephants Can Remember, and Curtain.

Third Girl is set smack in the mid-sixties.  It's a time when men are wearing such clothes as  "elaborate velvet waistcoat[s], skin-tight pants," and wearing their hair long in "rich curls of chestnut," while women were wearing

the clothes of their generation: black high leather boots, white open-work stockings of doubtful cleanliness, a skimpy skirt and a long and sloppy pullover of heavy wool.

The Beatles proclaim in 1966 that they're more popular than Jesus. The younger generation is experimenting with drugs and getting high. Girls aren't staying at home much after leaving school, going off to the cities to find jobs and live in apartments, often doubling up or adding a "third" girl to help with the rent.  It is just such a "third girl," Norma Restarick, who early one morning finds herself with Hercule Poirot, to tell him that she might have committed a murder, but then proclaims Poirot too old, and disappears. He's obviously intrigued, and finds out the girl's identity only when Ariadne Oliver, the mystery novelist, begins discussing a party she'd been to earlier where she'd met this young woman. From that point, the two begin investigating Norma's past and present, trying to discover if she's unbalanced, or if there's someone that might mean her harm. Poirot looks for patterns & death, and Ariadne tries methods that her detective, Sven Hjerson, might use in her popular mystery books.

As usual, there are plenty of suspects and red herrings throughout the novel, and this time Christie puts a secret up her sleeve that she doesn't reveal until the end -- a bit of duplicity on her part which wasn't really fair, but worked.  I thought the final solution was well done and although the clues were there all along, I still managed to be surprised by the ending,  which a) I felt was quite satisfying and b) I should have figured out after the breadcrumb trail of clues Christie left behind. And while the story may seem a bit muddled from time to time, it's still well worth the read. 

Poirot, without a doubt, is one of my favorite detectives ever, with his fastidious mannerisms and personality.  Even toward the end of his career his little grey cells are as busy and sharp as ever; Miss Lemon,  the secretary par excellence,  makes an appearance, always a step ahead of Poirot, and then there's Ariadne Oliver, a rather unique character, often living off of her intuition or using her mystery novelist skills to offer help in Poirot's investigation.  While she does provide some comic relief and comes off as a bit of a bumbler from time to time, she actually manages to also provide a few valuable clues to Poirot from time to time. 

At first I was a bit unsure as to whether or not I would enjoy this novel, but it ended up being a treat. This must be one that either I read eons ago and have totally forgotten, or that somehow I managed to miss until now. I can recommend it, definitely, BUT ... if you're looking for the recently televised Third Girl, you'll find that there's quite a difference between page and screen.

fiction from England

Badfellas, by Tonino Benacquista

9781904738435

Bitter Lemon Press

2010

Original French title: Malavita, 2004

Translated by Emily Read

Cholong-sur-Avre in Normandy is the setting of this rather unconventional and darkly humorous tale.  The Blake family moves into an old Norman brick-and-stone villa during the middle of the night. They had already lived  in France for six years, first in Paris, then on the Cote D'Azur in Cagnes-sur-Mer. There's Fred, the head of the clan, Maggie his wife, and two teenagers, Belle and Warren.  Just your typical American family relocating to the French countryside, right? Wrong. Fred is actually Mafioso Giovanni Manzoni from New Jersey, and he and his family are in the witness protection program after he testifies against against another crime boss, Mimino.  Along with them are a team of FBI men, assigned to them for protection against anyone wanting to claim the huge bounty put on Manzoni's head by Mimino. All of they have to do is lay low, pretend to be a normal family and get on with their lives.  But for someone like Fred, or for the rest of the family for that matter, being normal in any sense of the word is impossible.

Benaquista's characters are well drawn. In this particular witness protection incarnation, Fred has decided to tout himself as an author writing about the landing at Normandy, while all the time writing his own memoirs about his life in organized crime.  Fred is not a likable person at all and has no redeeming qualities, but he does have principles:  he always takes responsibility for his actions, he wouldn't do anything different over his lifetime if he had it all to do again, and the word he hates most in the world is sorry. Maggie is busy with volunteer work, but hangs out with the FBI team to get the latest on her neighbors, who are under constant surveillance by the feds. Belle, the daughter, is one of those people who makes lemonade with the lemons life has handed her, and Warren has handled the witness protection situation by watching, learning and becoming the mini Godfather-figure of his school.

There are some truly funny moments in this book, especially the story of how a school magazine traveled from France to Thailand to Los Angeles to New York and started a particularly nasty chain of events. That whole little story within a story is laugh-out-loud funny. There's also a great scene where by mistake a local cinema club gets sent the Scorsese film Goodfellas instead of the scheduled program of Some Came Running, the story of a WWII veteran who returns home.  However, As much as I liked this book, I did have a couple of niggling and minor issues with it. First, I kept waiting for the "crime fiction" part to begin, but it never materialized. I might have labeled it more of a "dark comedy" -- there's no central mystery plotline, very little crime and it's really more of a look at the lives and fortunes of this Witness-Protected family while in exile and at times the people guarding them.  And this leads me to my second point: when a plumber meets up with an unfortunate incident at the Blake home, how is it that the FBI surveillance team overseeing the Blake family's every move knows nothing about it? And how is that Fred's nephew in the US is allowed to get a call from France when the family is virtually in lockdown?  There are a couple of places like this where the storyline falters a bit, creating distractions that really annoyed me at times.


If you're looking for a typical crime fiction novel, I wouldn't start with this one, but the book is actually quite good overall -- more of a fun read than a serious crime read. It has been nominated for this year's International Dagger Award, and at the award's website, the judges have noted that "Crime fiction that makes you chuckle is rare and this is an exceptional example of the species." There's enough satire here to satisfy anyone's  snarky and sardonic side, a bit of underworld darkness, and I would most definitely recommend it.  And finally, as one cover blurb notes:

Benaquista's story explores what would happen if, say, the Soprano family were to move to Normandy...

and I'd say that's about hit the nail on the head.

I do hope his other books are a bit more crime oriented, however, because I've got a stack of them sitting here waiting to be read.

 crime fiction from France

The Girl With the Dragon Tattoo revisited: the facebook connection

 

I just finished watching Girl With the Dragon Tattoo today, and while looking around the internet for reviews of the movie, I came across a link for Lisbeth Salander's page at Facebook. I'm not kidding.  And she has 1,430 friends.  Considering she's not even real, that's a lot! Even more than my daughter, who has as astronomical amount of facebook buds. So I started combing through the Lisbeth Salander wall for anything remotely interesting.  Here's a fraction of what I found:

Someone picked out a new outfit for her and posted it at Mall World (another facebook app). 

Another person wrote (and I quote):

Liseth, I finished the book and I will miss you and the last book couldn't have been meant to be the final chapter. No one could ever finish it and hope no one tries. But I couldn't put it down....how sad that I will never read about you again.

 Lots of people sent her birthday wishes, with a few of them sending her the little facebook birthday cake gifts. Someone sent her an "i-heart".

Someone invited her to take the "which superhero are you" quiz.

etc. etc. et cetera.

So, out of curiosity, I did a search to see whether or not Miss Marple or Hercule Poirot had a page of their very own, and I looked for Kurt Wallander as well.  All of those are listed as "community" pages, where people can write in and discuss the books, movies, whatever. Nowhere in any of those did I find people sending birthday cakes or telling Jane, Hercule or Kurt that they loved them.

Okay, okay. I'm sure that the Lisbeth Salander page was put up by someone at Knopf but still. Who writes to a fictional character? 

A Caribbean Mystery, by Agatha Christie

0007120915
HarperCollins
2002
Originally published 1964
224 pp.

"Like to see the picture of a murderer?"

Major Palgrave was the man with a million stories, and everyone vacationing at the lovely Golden Palm Hotel on the Caribbean island of St. Honoré tried to avoid him like the plague. Once he got started, he never stopped. His latest victim, so to speak, was Jane Marple, who had come to the Golden Palm to recuperate after a serious bout of pneumonia. Knitting bag in hand, Miss Marple was sitting, half listening and making polite replies once in a while, until Major Palgrave started speaking about her favorite topic: murder.  He begins to tell her a rather unusual story about a man who got away with murder more than once, and when Palgrave asks her if she wanted to see a picture of a murderer, the knitting stops and she's all eyes and ears.  But after he fishes through his wallet for the photo, he suddenly stops and changes the subject rather abruptly and rather loudly. Taken aback, Miss Marple looks up to see why and sees several people nearby.  Although curious, she goes right back to her knitting. The next day, when one of the maids finds Major Palgrave dead in his room, apparently from natural causes, Miss Marple can't help but wonder if all is as it seems.  When she creates a clever story to retrieve the photograph Palgrave was about to show her, it's gone, and now she's interested.

Miss Marple is the perfect detective. When people look at her they see "all knitting wool and tittle-tattle," and she becomes more or less invisible that way, easily dismissed by most of the players. But one man, wealthy businessman Jason Rafiel, sees right through her. And since Jane is not in St. Mary Mead at the moment, with no help from the likes of Sir Henry Clithering, it is Rafiel to whom she turns in hopes of preventing more death.

 A Caribbean Mystery is lighter in tone than some of her other Marple mysteries, slowly paced and there are spots where my interest definitely flagged.  The mystery plotline was good, although a bit predictable. The ocean, the sand, the palms and the steel band music definitely brought the Caribbean to mind while reading, since I've been there a number of times.   And although this isn't one of my favorites in the Marple series, I couldn't help but enjoy watching her brain at work.

My advice to potential Christie readers: put this one somewhere in the middle of your reading schedule and start with some of the other Marple stories.  

as an aside:
This book has been adapted for television twice:
1) with Joan Hickson as Miss Marple
2) with Helen Hayes as Miss Marple

fiction from England