PPL #3: Good By Stealth, by Henrietta Clandon

 

9781913054878

Dean Street Press, 2020

originally published 1936

211 pp

paperback

Although Good By Stealth was first published in 1936, in the realm of mystery/crime novels centered around poison pen letters it's something new and different.  One, we know who sent these letters  around the small village of Lush Mellish; two, we know that the perpetrator had served time behind bars for her crime, and three, it all comes out of the mind of a single person via a very long flashback.  It is, as author Henrietta Clandon* writes in the foreword, a "story told from the inside; a story which has already been told from the outside by the newspapers."  

The beginning of the novel has Miss Edna Alice out of prison now for  ten months, and writing "the story of the latter part of my life before malicious people and an absurd verdict, unjustly deprived me of my liberty."   As she also notes, she had found herself "in the same category as a mentally unsound woman who posts disgusting letters to her neighbors."  To hear her tell it,  she was a "victim of persecution, one born before her time," and the letters were meant as "constructive" criticisms, meant to help the receivers to do what was right and in the long run, become a better person.  It's not her fault if her letters caused turmoil among the population of Lush Mellis.   

Arriving in the village with her dog and a determination to be an active part of village life, she immediately finds fault with the several visitors who call on her.   The vet's wife she found "odd," the two doctors' wives she found to be  "a snob" and a gossip, but in the long run, she feels that her move to Lush Mellis was "a good one," and goes on to form and to join several circles in the community.   Before long, she finds and points out a number of problems within each group -- in her mind, she's just trying to offer helpful suggestions or to offer the benefit of her experience. Needless to say, neither her presence nor her help are appreciated, and eventually she begins to find it "strange" that her "efforts to help people, and give them a life, led to ingratitude and offensiveness."   She is never at fault, her dogs can do no wrong, and according to Miss Alice, it must be the case that there is a "campaign to wound and hurt" her, one to bring her name "down into the dust"  and get her to leave.   After some time, as a number of incidents involving Miss Alice pile up and she gets no satisfaction from the police or anyone else,  she begins her own campaign, secretly and anonymously, to  "morally and socially" rejuvenate Lush Mellish  doing her "good by stealth," and the letter writing begins. 

 How terrific it is that Dean Street Press brought this book from obscurity out into the light for modern readers!!  While there is a bit of investigating going on towards the end of the novel as the police try to discover just who the poisonous pen belongs to,  there really is not much of a mystery here at all, and that's okay. Good By Stealth is a most unusual and captivating character study capturing the workings of the mind of a woman whose world and her reaction to it exists in a singular, narrow point of view.  While it's impossible to discount that there just may be a kernel of truth in what she has to say about her fellow villagers, any sympathy I have for Miss Alice comes only in minute, tiny amounts, and that only in connection with her dogs.  On the other hand, the book made me laugh out loud here and there and roll my eyes often because of the sheer hypocrisy involved, and it was absolutely fun to read.  A unique perspective on the poison-pen-letter novel, this is one I can definitely recommend to readers of vintage crime/mystery fiction. 

------------------

*Henrietta Clandon was one of several pen names of John George Haslette Vahey (1881 - 1938), likely most known for writing under the name of Vernon Loder.  

The Astonishing Adventure of Jane Smith, by Patricia Wentworth

9781911413097
Dean Street Press, 2016
originally published 1923
208 pp

paperback

It's been eons since I've read a novel by Patricia Wentworth, and like most of her fans I spent many hours devouring her Miss Silver mysteries. The intro to that series, Grey Mask, was published in 1928, but Wentworth had already written and had published a number of mysteries beginning five years earlier.  The Astonishing Adventure of  Jane Smith is the first of these, but unlike the author's Miss Silver novels, the "impecunious and intrepid heroine" of this story is in her early twenties.   

Young Renata Molloy has been a sleepwalker since her childhood, and as this story begins, she has inadvertently and unfortunately made her way into a meeting being held in her father's London flat. She is discovered just as one of the members of this insidious anarchist organization  happens to mention "Annihilation of the whole human race!" and of course, they want to know what she's heard.  In another part of the city, Jane Smith is sitting on a park bench counting out all the money she has left in the world, some two shillings and eleven pence, when she is approached by a young man, Arnold Todhunter,  who has mistaken her for the woman he loves, Renata Molloy. The resemblance between the two is uncanny, but it turns out that Jane and Renata are cousins; they are not at all close,  but their mothers were twins and as Jane puts it, "I have always understood that we were very much alike."  They are enough alike that Todhunter tells her of his discovery of Renata being held prisoner in her father's flat, and that according to Renata, she can't leave because her captors will only track her down, "find her and kill her."   Todhunter is to leave for Bolivia within three days and would like to take Renata with him, so he comes up with a most bizarre idea.  Would Jane consent to taking Renata's place in the flat (he can sneak her in via the fire escape) so that Renata would be safe from her "position of deadly peril?"   Jane, who has visions of "the workhouse" once her money runs out, agrees to the plan.  Luckily, she has the foresight to call on an old friend, Henry Luttrell of Scotland Yard CID, before the switch is made.  Also fortunate for Jane, she is no coward, not averse to taking risks,  and she has an amazing ability to think on her feet when necessary.  She will definitely have to call on those skills once she is moved from London to a house in the country, where her "astonishing adventure" truly begins. 

from AbeBooks, first edition cover

 The novel is a combination of mystery and spy story, with some romance added in on top of the action. There are secret passages to be explored, lots of government and villainous intrigue, secret formulas, and  strange people coming and going.  Meanwhile Jane as Renata is still in the precarious position as to whether or not her captors plan to eliminate her for what she may have overheard, but  she's not about to just let it happen without doing something.  No timid rabbit here. 

I had absolutely no clue that this book was going to be as much fun as it was, truly what I'd call a rollicking adventure. As for the mystery (which for me came down to identifying a certain personage), well, as it turned out, I was patting myself on the back not too far into the story thinking "can it be any more obvious?" then feeling like a total dope when all was actually revealed.  Let's just say that I was right, but I was wrong all at the same time,  always a positive. Above all, it was great fun for a few hours, and I am eager to get hopping on all of the non-Miss Silver adventures I've missed. 

Definitely recommended for those fans of Golden Age mystery fiction who are looking for something quite outside the norm. 

an Annie Haynes double feature: The Bungalow Mystery and The Abbey Court Murder

If you are asking yourself the question "who the hell is Annie Haynes," you're probably not alone. I had never even heard of this author prior to this year, when somehow I landed at the crime and mystery section of the website of Dean Street Press while looking up lesser-known women writers of the Golden Age period.  Oh lordy -- no one can imagine how excited I was to find not one, but several women whom I'd never heard of before.  Several clicks later and my library now has quite a few Dean Street Press paperback novels with more to be picked up in the future.  But as usual, I digress.

 In 1923 author Annie Haynes made her debut with The Bungalow Mystery; by 1929 after twelve novels  (one published posthumously and the last one completed by an unknown author and published in 1930), she died of heart failure, which as Lizzie Hayes wrote at her blog Promoting Crime Fiction, was quite possibly connected to the rheumatoid arthritis she had long suffered, a disease which ultimately caused her severe pain and left her crippled.  Three of her books featured Inspector Furnival, four more starred a certain Inspector Stoddart, and the remainder were written as nonseries mystery novels.   Hayes also notes that

"... in 1923 a major newspaper regarded Haynes as one of the two most significant British female crime writers, with only Christie to rival her.  Dorothy L. Sayers, whose first detective novel was also published in 1923, does not get a mention."

 These particular editions of The Bungalow Mystery and The Abbey Court Murder are, according to the back-cover blurb, "the first printed in over 80 years,"  so that already gives them a thumbs up as far as I'm concerned; having read both of them back to back, they get another thumbs up for sheer entertainment value. 

The Bungalow Mystery  begins  as Dr. Roger Lavington of Sutton Boldon,  already having a bad day, is summoned to the house next door, "The Bungalow."  When he arrives he finds the tenant, Maximilian von Rheinhart, who lives there in a "hermit-like preference for his own society," dead on the floor.  His pockets have been "rifled," so while the housekeeper believes it may have been suicide, Lavington is positive that the man has been murdered.  He sends her for the authorities, and in her absence, he is surprised to find a young girl hiding behind a curtain, who begs him for help and asks him to let her go.  As we're told, her "appeal had touched a soft place in his heart," so he takes pity on her and sends her over to his own house as he waits for the police.  It doesn't take the police too long until they realize that there is most definitely a woman in the case, based on clues left behind.

Back home again, Lavington hits on a safe way to get the woman away while the police are watching The Bungalow; she makes her escape but the good doctor is later stunned to hear that an unidentified  woman carrying "certain evidence" on her person related to Rheinhart has been killed in a horrific train accident that also made an invalid of one of his old friends, Sir James Courtenay.   The story picks up again two years later.  Lavington has moved away from Sutton Boldon to be nearer to Courtenay where he makes a startling discovery; in the meantime, the word is that the police have some new evidence in the Bungalow case. 

In the introduction, Curtis Evans states that Haynes' novels

"retain, in stripped-down form, the emotionally heady air of the nineteenth-century triple-decker sensation novel, with genteel settings, shocking secrets, stormy passions and eternal love all at the fore..."

and that description is completely spot on.   At the same time, underneath the secrets, passions and eternal love, and I'll add good old male chivalry to the mix, The Bungalow Mystery  is at its heart an intricate, well-plotted mystery that does not get resolved until the finish when all is revealed.  I will also say that there are a few surprises along the way, and that skimming should be totally out of the question while reading this novel since even small details are relevant.   I won't say why, but after a second read,  I had a greater appreciation for Haynes' ability to  pull off quite a nice sleight of hand here, a sort of literary misdirection definitely deserving of major kudos.

Speaking of sensation novel material,  The Abbey Court Murder was also published in 1923; it is the first of three novels to feature Inspector Furnival of Scotland Yard, and it's a definite page turner to the very end. 

It begins at a wedding, as happily-married Lady Judith Carew and her husband Lord Anthony are leaving the church after the ceremony.  There, she gets a nasty surprise on recognizing someone she had thought long dead, and her entire world changes in that moment.  The man demands that she meet him later that night at 42 Abbey Court; there is no way she can refuse because the man has information about her past that her husband Lord Anthony does not know and that she does not want him to know.  The Carews are scheduled to attend a dinner that evening; she tells Anthony to go on as she fakes a headache to keep her at home.  As soon as her husband leaves, Judith grabs one of her husband's revolvers and  makes her way to the appointed rendezvous, but things go tragically wrong and someone is killed.   Judith finds her way home, but lives in abject fear that her presence at the murder scene will be discovered;  her doctor suggests rest and quiet, so the Carew family makes its way to the family home, Heron's Carew.    And that's when things really start popping.  Not only does Judith have to worry about being found out, but there is also a matter of  young Peggy Carew's new admirer, a certain Lord Chesterham whom nobody but Peggy thinks will make a suitable match (and with good reason ...); Judith also has suspicions about Anthony's cousin Lady Sybil Palmer who has recently become a widow and goes digging around to find out any dirt on Lady Carew, and of course, the appearance of Inspector Furnival, whose superiors at the Yard are putting pressure on him to make an arrest in the matter of the Abbey Court Murder.

I couldn't turn these pages fast enough. I am a huge, huge fan of sensation novels, and I can't get enough of this stuff!    I will say that I guessed the who here once a major clue was revealed but it's okay ... I was actually more interested in getting to Lady Carew's secret and waiting to see how the good inspector was going to finish off his case. 

Both are fun vintage novels and I believe I'll have to go pick up the others here shortly.  If these two early books are indicative of her work, I'm in for a lot of serious entertainment.  While they won't be for everyone,  readers of these old mystery novels will enjoy them, as will anyone interested in the resurfacing of an obscure writer brought once again to the light.