Disappearance at Devil's Rock, by Paul Tremblay

9780062363268
Wm. Morrow, 2016
327 pp

arc: my thanks to the publisher, and 
my thanks to the powers that be at TLC Book Tours

 Let's just get this out of the way up front -- I am not a huge fan of what I call  "teencentric" novels so I didn't love this book. However, to be very fair, it turns out when all is said and done to be quite suspenseful, atmospheric and incredibly sad all at the same time. Aside from the elements of  mystery and suspense,  it also reflects the emotional devastation of a family suffering from a terrible loss and what they do to cope.  

Just to add a bit to the back-cover blurb:

 There is much truth in the statement "No good news ever calls after midnight," and in this case, the news is beyond bad. It seems that Elizabeth Sanderson's son Tommy, age 13, has gone missing. He'd been staying overnight at the home of Josh Griffin, one of his two best friends, but now he's simply vanished into the woods of Borderland, a park whose edges are very close to Josh's home. Along with their friend Luis, they'd taken their bikes to the park a number of times, hanging out at Split Rock aka Devil's Rock, doing typical boy stuff -- joking around, fantasizing about zombies, talking about the Minecraft world they'd created, etc. --  just regular things that signal nothing out of the ordinary for these kids.  A search is launched based on what Josh and Luis (the third member of this trio of friends) reveal about that night, but as time moves on the case drags with no results.  Elizabeth, of course, is devastated, along with her young daughter Kate and her mother, riddled with guilt and missing Tommy enough to where she begins to actually imagine his presence in their home.   At this juncture, this would seem to be an ordinary story of a child's disappearance, but then the author does something very cool here, introducing some really weird, questionable things that start to happen, ratcheting up the tension bit by bit.  Taken together, these events begin to call into question not only the other boys' version of events of the night of Tommy's disappearance at Devil's Rock, but to Elizabeth's surprise, they also reveal something about Tommy's state of mind about the earlier loss of his father.  That's all I'm willing to divulge because what happens until we get to the truth of things is so bizarre and so strange that telling would certainly wreck things.

Disappearance at Devil's Rock will definitely be one to throw in a beach bag -- a good summer read.  It's a slow burner of a story where the action sort of happens in waves. In between the  events that take place at Elizabeth's house, in between Elizabeth's grieving and trying to hold things together for her family,  we are made privy via flashbacks  to little bits and pieces of the days leading up to Tommy's disappearance.  This is a good move, and I like this sort of piecemeal approach to the truth, because really, it tends to raise a lot of questions in my mind.  Including the bit about the Fox News commentators (and social media) was also a good move, because as everyone knows, ignorant people pointing fingers instead of offering anything in the way of sympathy or help is what news media and internet trolls are good at, and sadly they are a part of everyday life these days. Really, there are a number of good moments here, but then there are also places where I had issues.  For example, sometimes the boys' conversations got old and repetitive to the point of sheer boredom. I was so sick of the word "hardo" after a while -- I get that the author is writing teen boys here, but less would have been so much more.  I also didn't care for the way he wrote Kate -- the spunky little sister bit didn't quite work for me.   And, after certain revelations about the strange occurrences in the family home, the story sort of dragged along until the last part of the novel when boom - things pick up in a big hurry at which point everything pops to end in a good and satisfying way.  So the bottom line is that  I have mixed feelings about this one. I'm probably the fish swimming upstream again because this novel is getting uber-rave reviews.  I'll just say that while I found it a bit flawed writingwise  and too much on the edge of becoming a YA novel for my taste, at its core there is a good, suspenseful and tragic mystery here.

*****

My many thanks to Trish at TLC Book Tours for the opportunity to read this book.  

the last o' the vacation reads -- The Doll-Master and Other Tales of Terror, by Joyce Carol Oates

9780802124883
Mysterious Press, 2016
315 pp

hardcover

My many thanks to Mysterious Press for the copy that showed up at my door.

There are six stories in this rather dark collection, and once again the author has focused on human horrors rather than anything supernatural.  While I admit I wasn't overly in love with each and every story  in this book, I will say that the author's ability to create atmosphere continues here as it does in most of her short-story collections. If you've read her work in the past, you know exactly what I mean.  As usual, she delves deeply into the human psyche to examine an odd collection of disturbed minds, and in some cases goes on to examine the effects on the unsuspecting (or in one case, overly suspicious) people falling within their orbit. Trust me, the results are not at all pretty -- some minds are just freakin' deranged here, and belong to people you'd much rather avoid.

I won't go into any great detail, subject or thematic so as not to wreck things, but the six stories in this book start with the titular tale, "The Doll-Master," a story that whets the reader's appetite for more. While I wasn't chilled to the marrow by this one, it made for a good opener, since here she goes into what exactly it is that might make a serial killer tick, given his past,starting a path for Oates' examination of deranged minds.   The next story, "Soldier," is also very dark, hitting on current and relevant issues as we're asked to try and understand why a racist is turned into a model soldier of his cause. This one really bothered me precisely because of today's racist climate in this country, and the growing and widespread acceptance that racism should become the status quo.  She nailed this one.     Moving along, not a fan of "Gun Accident," which like "Equatorial," the next story, could have actually been more suspenseful had it been shorter and had it actually got to the "terror" more quickly. Instead, I found both too long, killing any horror or chills  I might have otherwise gleaned. By the time I got through "Equatorial," I didn't care what was going to happen at that point. "Gun Accident" looks at the aftermath of a single night in a woman's life, while "Equatorial" follows the story of a woman who is either very paranoid, or who is sure that she's in some kind of danger.  These are followed by "Big Momma," the ending of which I saw coming from a mile away.  There is one excellent story in this book, though, a little gem called "Mystery, Inc.," which follows a conversation between two book lovers who have big surprises for each other. That one I really, really liked -- my favorite story of the six.

To me it's much more of a book where predators tend to play with their prey before pouncing; I think had she not given the subtitle the moniker of "and Other Tales of Terror," I may have approached it differently. I was expecting to have hackles on my neck, but I think that with all of the dark fiction reading I do, it's starting to take more and more to actually terrify.  Another thing -- to me, the best short fiction gets the reader coated in atmosphere immediately, starts the uneasiness rolling as you realize that something's just a wee bit off kilter, and then finally moves in for the big shockaroonie.  Nothing too drawn out, just pure and simple bam!  This process didn't really happen here for me, but people are really enjoying this book, so once again it's probably just a matter of my expectations when I see the word "terror" in a title. So my verdict -- like any other collection of short fiction, it's a bit hit and miss.  But when she hits, she hits big time for sure.

another dynamic duo during dedicated down days, this time from Valancourt Books: Wax, by Ethel Lina White and Gilded Needles, by Michael McDowell

 Valancourt Books publishes old crime fiction, supernatural fiction, horror fiction and long-ago forgotten novels, and they've kept me entertained ever since I discovered they existed. My shelves are teeming with their books, precisely because I crave the obscure and because I haven't yet met a Valancourt  novel I didn't like.  Two more books now join the vacation reads:  Wax, by Ethel Lina White and Gilded Needles, by Michael McDowell.  They are two totally different animals -- Wax is pure vintage British mystery while Gilded Needles is more of a dark, historical crime novel of revenge set in New York in 1882.  Gilded Needles gave me a case of the willies and as I noted somewhere, caused me to pretty much stop breathing during the last 1/4 of the book.  Wax, on the other hand,  is more along the lines of a whodunit set in a most incredibly creepy atmosphere that doesn't let up throughout the entire novel.  Both, though, gave me the most intense satisfaction, which is all I can hope for when I'm enjoying vacation time.  I only brought a limited number of books with me, so I got very lucky with these two.  

First up is Wax, by Ethel Lina White, probably best known for her novel The Lady Vanishes. 

9781941147597
Valancourt Books, 2015
187 pp
paperback

Sadly, this particular version is not available in the US, but I bought mine at Book Depository and it was here in no time. Luckily,  Kindle readers  can get a copy for about six dollars.   It is an old novel originally published in 1935, and as soon as I opened it to the first page, I found myself already soaking in atmosphere.  At two a.m., Mr. Ames, who along with his wife serves as a caretaker for the old waxworks museum just outside of the small town of Riverpool, wakes up and remembers that he may have left a candle burning in "the Horrors."  When his wife goes to investigate, she gets a creepy vibe from the wax figures, "a company of -- poisoners" whom she felt "resented her presence," since "At this hour, the gallery belonged to Them." Her fear drives her home in a hurry, where she tells Mr. Ames that

"...those figures were up to some business of their own. And I felt in my bones that it was no good business either." 

Seriously -- what a cool opening!   The Waxwork Gallery was built in 1833, and had been "almost unlucky almost from its beginning." Evidently, the builder had hanged himself in the Hall of Horrors, then in the next decade a dead "tramp" was discovered there.  In the 1890s, a prostitute was murdered there in the alcove, "wherein was staged -- appropriately -- the final tableau in the career of Vice."  Moving the show into the 20th century, the body of a "commercial traveler" was discovered, this time with Virtue as a companion.  Opening the door of the Waxwork Gallery reveals a dimly-lit space with panelled walls draped with black velvet, coated in dust. Some of the figures have seen better days; for example, Mary of Scotland is wearing moth-eaten black velvet and is described by Mrs. Ames as being "germy" and in need of replacement.

When young Sonia Thompson comes to town to take a job at the local newspaper, the Gallery is the first place she visits, and thinks she sees two people come to life. Mrs. Ames tells her that she herself saw no one, so Sonia puts it down to an illusion.  However, she's not at all comfortable -- as we are told,

"She saw the Waxworks, not as harmless dummies, but as malign agents in a corrupt traffic..."

and feels as if the walls themselves were rocking in the "rushes of darkness."  She was, in short, "filled with horror of the Gallery."  As Sonia begins to acquaint herself with the people of Riverpool, she is warned away from the wax museum more than once -- sage advice, as it turns out, since a body is discovered there.  But it's not just the Waxworks that give Sonia the willies, since she soon finds herself wading knee deep into closely-held secrets that no one, absolutely no one, wants revealed and people who will go to great lengths to keep these hidden.   Sonia can't help herself though -- after all, she is a reporter and she wants to discover exactly what is going on in this small town.  She decides that there is only one way to get to the truth, and that is to spend a night on her own inside the Gallery.

Yowie zowie -- what a fun book!  What sets this book apart from a number of other works of the time is the The Gallery, which as I noted earlier, is the focal point of this book, and is in its own way, connected to pretty much everything that goes on in the town. It is not as taut as I generally like my mystery novels to be, and it took a while to get to used to the author's sort of rambling style. On the flip side, what I discovered is that although it seems like there is a wee bit o' the babble going on here, there are important clues to be uncovered throughout the story, so there were places that I went back to in order to pick up what I'd missed.  I have to say that I was hooked immediately, and that the novel turned out to be a fun read with a quite an ending.   Vintage crime readers will definitely enjoy this one, as will readers looking for something just a bit off the beaten path.  I will be revisiting Ethel Lina White later this year, as I plan to read her Some Must Watch (aka The Spiral Staircase) as well as her The Man Who Was Not There, both of which became films in the 1940s.

And now, moving right along to part two of this post, Gilded Needles is one of the darkest, creepiest tales of revenge that I've ever had the pleasure to have read.

9781941147917
Valancourt, 2015
paperback, 284 pp

The setting of Gilded Needles is New York, 1882.  The first thing that struck me on opening the book was the most excellent panoramic view of the city as the old year changes into the new.  The author provides us here with a glimpse across the spectrum  into what's happening at that moment, giving us a peek at the lives of  "... the poor whose poverty was such that they would die of it," the "criminals whose criminality was no final guarantee against the poverty they tried to escape," the "mildly prosperous and moderately respectable," and finally, for the "very rich who needn't trouble themselves with respectability." But most importantly for the purposes of this book, there is the "Black Triangle," a "little space that lies west of MacDougal, between say Canal and Bleecker Streets."  It is a place where "horror festers," located "within half an hour's walk of the most fashionable houses of the city."  It is in this small slice of the city that "Black" Lena Shanks and her family run their criminal enterprises; everything from illegal abortions, receiving stolen goods, selling dead bodies, you name it.  However, the denizens of the Black Triangle aren't limited to the poor or the criminal -- it is also a favorite locale for the more "respectable" citizens on its outskirts for gambling, picking up prostitutes, and whatever other pleasures they desire that are definitely not found say, in Gramercy Park.

It is just one of these "respectable" people who sets this story in motion.  Young Benjamin Stallworth is having his fun slumming in the Black Triangle, when he notices Lena.  She recognizes his eyes, remembering the time when a certain Judge Stallworth sentenced her husband to death and had her children taken away while she also went to prison.  In the meantime,  the Judge and his son-in-law, Duncan Phair, have decided to build their political and social clout by trying to take down the criminals and exposing the "evils" of the Black Triangle, publicizing their efforts in the newspaper.  But while the plan seems to be working, one particular event sends Lena and her family over the edge, and now she's looking for revenge.  And it definitely isn't going to be pretty.  The novel goes back and forth between the Shanks family and the Stallworths, who really don't help themselves with their own arrogance and their lack of understanding of human nature.

Gilded Needles is written in a way that reminds me so very much of the 19th-century "city mysteries" novels I've read,  exposing the city's dark, seamy underbelly and scratching off the veneer of respectability.  McDowell has captured the style of this sort of old novel while making it his own; he is one of the best dark fiction writers whose work I've had the pleasure to have read.  Gilded Needles  is one of the most horrific non-horror stories I've read in a while -- bleak, very Dickensian and well, let's just say that it's definitely not for the faint of heart.  At the same time, it is absolutely one of those books that once picked up will not easily be put down, and to be honest, I was still shaking after I'd  finally turned the last page.   I highly, highly recommend this one -- a definite no miss for readers of dark fiction and historical crime fiction.